I was thrilled to pieces when I saw this scene. Disney could have written Gideon off like some bully character who never really amounted to anything, or got what was coming to him like a lot of those characters do in their movies.
Gideon made something of himself. He’s a pastry chef, something that’s not traditionally a job for men in media. And as soon as Judy speaks to him, he immediately apologizes to her. He doesn’t try to shrug it off as no big deal, or say that it was just boys being boys or whatever; he knows he hurt her, and he owns up to it. And Judy immediately forgives him.Well done, Disney.
Also the language that he used is not something that he would have most likely grown up hearing/using. Describing his failings as self-doubt that manifested into “unchecked rage and aggression” sounds SO MUCH like therapy speak. So he’s either gotten counseling to help him with some of his problems, or sought out literature to help himself. A++ disney :)
This movie is a treasure.
my favorite thing about 101 dalmatians is that, when faced with the realization that there were now 101 dogs in their apartment, their reaction was “i guess we’re gonna need a bigger house” which is entirely illogical and exactly how i would respond in that situation
Turning roommate shaming into an art form. (via justincousson)
“[Brooklyn Nine-Nine is] hyperaware of how corrupt the system actually is—just trying to be different.” (via @feministperalta on this post)
My favourite highschool thing ever was in our english lit class reading of Hamlet and we all had to play different characters and partway through everybody started reading it like a porno with breathy moaning voices and the dude playing the queen spoke in a drunken alabama accent and the teacher told us we were awful and that shakespeare would have wanted it that way
Shakespeare would be so fucking proud.
Uncle Yanco
dir. Agnes Varda